"Beauty and Boy with a Kite"
(descriptive title)
~1830
Comments - Charming Surimono of a beauty
pausing during a walk to look back over her shoulder,
shielding her eyes with her hand. An excited boy stands behind
her, carrying an Edo-kite
("Edo-tako", "J"), patterned with large kanji characters ("Kanji
kite", "ji tako", "քJ"), hinting at the "rain festival" or
with a different kanji-reading,
to the author of the poem, framed by the flowering cherry tree
twigs. Fine embossed detail to indicate the fold lines of the
beauty's black kimono. Lovely outdoor setting with a budding
cherry tree behind a garden fence. The entrance of the house
is marked with two tabets, obviously an address, maybe the
address of the cultural event or the private client who
ordered this surimono.
The poem of 'Michitsura' ('؞') reads.
In the New Year,
The perfume of a mature woman
Is caught between her sleeves
By the spring breeze,
Like the fragrance of flowers
In full bloom |
Japanese Woodblock Surimono -
Surimono are an exclusive subcategory of Japanese wood block
prints. They were privately commissioned works intended to be
distributed to a small audience of friends, colleagues or
like-minded members of a "poetry circle". The most common
surimono style included an image and a poetry verse. Some
surimono depict well-known stories from ancient legend and are
fantastic individual works of art without any calligraphy.
Because of the exclusive nature of surimono, and the fact that
they were commissioned by wealthy individuals, the level of
workmanship was excellent. The designs are stunning, and
usually printed to the highest standards on expensive paper
with fine pigments and embellishments. The carvers and
printers were leaders in their fields. Since surimono were not
sold to a commercial audience the print runs were very small
and original surimono are incredibly rare in the market today.
The above detailed surimono "Beauty and Boy wit a Kite" was
reprinted several times (cf. 1890s copy of 1820 design, MFA).
There are reprints with different patterns on the kite, or
with false signature and other alterations. The
most
striking difference concerns the two tablets at the
entrance of the original surimono. All
reprints
and newcuts do not have this item.
Series - none
Artist - see
Biography
Signature - Ôju Hokkei ga (豱l), lower left
Publisher - no seal etc.
Image Size - 17.7 x 20.3 cm (7 1/2" x 8 1/4")
overall
Condition - single sheet, nishiki-e (cloured
woodblock); Surimono;